I've spent my career where new tools meet old craft — those moments when the economics of production shift before the market notices.
Before Plotdrive, I spent five years as a high-stakes poker player, where every decision carried asymmetric consequences and patterns had to be recognized before they became visible. That training shaped everything that followed: a VR studio exploring immersive narrative, a documentary on the rise and collapse of online poker, and a decade building content systems that helped creators produce at pace.
Now I focus on what happens when AI enters the story production process — not as a replacement for authorship, but as infrastructure that lets writers finish what they start.